The Process behind Satire and Sensitivity
This project explores the evolution of comedy as a reflection of shifting cultural awareness, showing how humor changes alongside society itself. As conversations around identity, power, and representation have expanded, so too has the complexity of comedy; moving beyond simple punchlines toward more layered, self-aware forms of satire. Rather than limiting what can be said, increased sensitivity challenges comedians and creators to be more intentional, pushing humor to operate on multiple levels at once.
The project positions comedy not just as entertainment, but as a cultural tool. The process of the project was not linear, but was incredibly informative to me on the history of comedy and also helped me to reframe my own sense of humor myself. By also structuring this like a gallery exhibit, I really had to stretch my skills as a designer to make things work realistically in the gallery space. This project was an enriching experience that really helped me learn to be a better designer.
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Type: Exhibition Design / Branding
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Medium: Posters, Social Media, Merchandise, Experiential
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Tools: Illustrator, InDesign, Photoshop

The Logo

The logo was inspired by the bold typography commonly used in comedy show signage and vintage show advertisements. The black and white was meant to feel timeless, while the varying shapes were meant to make the logo feel bold and humorous.
Brand Colors and Typography
Colors

The color palette of this project was primarily meant to feel vintage yet timeless. The main texts and logos were exclusively in black and white to keep consistency. Additionally, all the photography and visual assets are also in black and white. The variations of color depended on a system of mostly "Joke Cut Blue", and "Callback Cyan" and then" Curtains Up!" and "Comedy Gold." All of these colors worked beautifully together to create the exhibit that was Satire and Sensitivity.
Brand Colors and Typography

The typography in the exhibit was meant to reflect the boldness of satirical comedy. The headers used were arranged to work together both in legibility and stylistically. All type choices were supposed to feel structured yet fun to reflect the theme of the exhibit.
Visual Problem Solving + Results
During the early stages of developing the design system, I faced challenges in establishing a visual direction that effectively balanced my concept with clarity. My initial approach used handwritten-style typography and scribbled visual assets to give the feeling of a writer’s notebook, reinforcing the idea of process in comedic writing. I also explored a limited color palette of black, white, red, and blue to mimic pen marks and editorial annotation. However, while these choices supported the conceptual foundation, the overall system felt visually unrefined and lacked the cohesive, polished identity needed for the final execution. To resolve this, I refined the direction by shifting toward a more structured typographic logo system that better expresses the project’s tone while maintaining readability and consistency. I also transitioned to a more intentional color palette that feels more cohesive and contemporary, while still giving the vintage look that I wanted. To retain some of the original conceptual texture, I incorporated halftone patterns to reference vintage print processes and add subtle visual depth.








